In this fascinating book, Catherine Yeh explores the Shanghai entertainment world at the close of the Qing dynasty. Established in the 1850s outside the old walled city, the Shanghai Foreign Settlements were administered by Westerners and so were not subject to the strict authority of the Chinese government. At the centre of this dynamic new culture that emerged was the courtes...(展开全部)

Visual Culture in Shanghai, 1850s-1930s is a study of formal and informal meanings of Haipai ("Shanghai School" or "Shanghai Style"), as seen through the paintings of the Shanghai school as well as other media of visual representation. The book provides us a point of entry into the nexus of relationships that structured the encounter between China and the West as experienced by...(展开全部)

托马斯·索维尔（Thomas Sowell），美国当代杰出的经济学家、最具影响力的社会评论家。先后在康奈尔大学、加州大学洛杉矶分校、哥伦比亚大学以及斯坦福大学讲授经济学课程，现为斯坦福大学胡佛研究所公共政策高级研究员。 托马斯·索维尔在经济学和广泛的人文社科领域均有重要建树。他撰写了包括《基础经济学》、《被掩盖的经济真相》、《美国种族简史》在内的30余部著作，多本被翻译成法文、德文、西班牙文和日文出版，其中多本是亚马逊网上书店的超级畅销书。他还在《福布斯》、《财富》、《新闻周刊》、《时代》周刊、《华尔街日报》、《华盛顿邮报》等主流媒体上发表了大量文章，并担任多家著名媒体的专栏作家，广泛讨论各种社会问题。 他获得的荣誉包括由美国企业研究所颁发的、备受尊敬的“博伊尔奖”（Francis Boyer Award）、美国“国家人文科学奖章”、布莱德雷基金奖等...(展开全部)

The influence of intellectuals is not only greater than in previous eras but also takes a very different form from that envisioned by those like Machiavelli and others who have wanted to directly influence rulers. It has not been by shaping the opinions or directing the actions of the holders of power that modern intellectuals have most influenced the course of events, but by s...(展开全部)

The influence of intellectuals is not only greater than in previous eras but also takes a very different form from that envisioned by those like Machiavelli and others who have wanted to directly influence rulers. It has not been by shaping the opinions or directing the actions of the holders of power that modern intellectuals have most influenced the course of events, but by s...(展开全部)

This volume aims both to establish cinema as a vital force in Shanghai culture and to direct attention to early Chinese cinema, a crucial chapter in Chinese cultural history long neglected by Western scholars.

张英进，美国斯坦福大学比较文学博士，现任圣地亚哥加州大学文学系教授，上海交通大学人文学院访问讲席教授，曾任印第安纳大学教授。英文书籍包括专著《中国现代文学与电影中的城市》（1996，中文版2007）、《中国电影百科全书》（1998）、《影像中国》（2002，中文版2008）、《中国电影史》（2004）、《全球化中国的电影，空间与多地性》（2010），编辑论文集《中国比较文学论文集》（1998）、《民国时期的上海电影与城市文化》（1999，中文版2011）、《当代中国的另类电影文化》（2006）、《华语电影明星研究》（2010，中文版2011）、《中国电影指南》（即出）。另出版中文书籍《审视中国》（2006）、《电影的世纪末怀旧》（2006）、《多元中国》（2011）等，以及在中英文的学术期刊与论文集中发表的大量文章。

How are love and emotion embodied in material form? Love Objects explores the emotional potency of things, addressing how objects can function as fetishes, symbols and representations, active participants in and mediators of our relationships, as well as tokens of affection, symbols of virility, triggers of nostalgia, replacements for lost loved ones, and symbols of lost places...(展开全部)

How are love and emotion embodied in material form? Love Objects explores the emotional potency of things, addressing how objects can function as fetishes, symbols and representations, active participants in and mediators of our relationships, as well as tokens of affection, symbols of virility, triggers of nostalgia, replacements for lost loved ones, and symbols of lost places...(展开全部)

From teen dating to public displays of affection, from the "fishing girls" and "big moneys" that wander discos in search of romance to the changing shape of sex in the Chinese city, this is a book like no other. James Farrer immerses himself in the vibrant nightlife of Shanghai, draws on individual and group interviews with Chinese youth, as well as recent changes in popular me...(展开全部)